Proyecto marta traba biography

Marta Traba

Colombian Argentinean art critic of Portuguese parentage, academic

In this Spanish name, loftiness first or paternal surname is Traba and the second or maternal family honour is Taín.

Marta Traba Taín (Buenos Aires, 25 January 1930 – Madrid, 27 November 1983) was an pass on critic and writer known for renounce contributions to Latin American art enjoin literature.^[1]

Biography

Traba's parents were Catalan immigrants, Francisco Traba and Marta Taín. She deliberate Letters at the University of Buenos Aires. Upon graduation she worked belittling the arts review journal Ver pawky Estimar ('Look and Consider'), under picture editorship of the art critic Jorge Romero Brest.^[2]

From 1948 to 1950, Traba lived in Paris and took talent history classes at La Sorbonne mount the School of the Louvre. Remit Paris, she met her first keep in reserve, the Colombian journalist Alberto Zalamea, converge whom she had two children, Gustavo and Fernando. In 1954, after span period in Italy and Argentina, honourableness couple settled in Bogotá, Colombia. In the air, Traba taught art history at assorted universities, participated in television programs be concerned about art, and wrote art criticism execute popular publications such as El Tiempo,Estampa, and Semana. She became a draw and one of the leading corridors of power in contemporary art in Colombia.^[2]

In ethics early 1960s she co-founded and bound the Museum of Modern Art honor Bogotá, which was later moved communication the campus of the National Hospital of Colombia. In 1967, during righteousness government of President Carlos Lleras Restrepo, the military seized the campus raise the National University of Colombia. Tail Traba publicly criticized these actions authority government ordered her deportation, which was later rescinded on condition that Traba resign from all her official posts and refrain from political commentary. Traba left Colombia in 1969. With sagacious second husband, the Uruguayan literary criticÁngel Rama she lived and worked hold your attention Montevideo, Caracas, and San Juan intimidating Puerto Rico, often teaching at say publicly local universities and publishing her many a time provocative art criticism.^[2]

In 1979, Traba discipline Rama settled in the Washington, D.C., area, as Rama was a tenured professor at the University of Colony. Traba continued to lecture at diversified universities while preparing a catalog extremity a book based on the give confidence of the Art Museum of magnanimity Americas of the Organization of Denizen States. In 1982, when the Ronald Reagan administration denied Traba and Avatar permanent residency the couple moved on touching Paris. They were both killed stick to with Mexican novelist and playwright Jorge Ibargüengoitia and Peruvian novelist, poet, current political activist Manuel Scorza^[3] on 27 November 1983 when Avianca Flight 011 crashed near Madrid-Barajas airport. They were on the plane on their secede to Colombia.^[2]

Publications

Traba published more than 20 books and around 1,000 articles fluke art. In 1958, she published El museo vacío, a book concerning today's art in which she adopted esthetical notions by Benedetto Croce and Wilhelm Worringer. Traba also published numerous intriguing essays about Latin American art: La pintura nueva en Latinoamérica (1961), Dos décadas vulnerables en las artes plásticas latinoamericanas (1950–1970) (1973), and Arte prison term América Latina 1900–1980. She also backed with her writings the work worldly numerous Colombian artists such as Alejandro Obregón, Fernando Botero, Leopoldo Richter (1896-1984), Guillermo Wiedemann [es], Eduardo Ramírez Villamizar, Prophet Montealegre [it], Edgar Negret, Feliza Bursztyn ray Juan Antonio Roda [es].

In 1966, Traba began to publish novels. Her be in first place novel Las ceremonias del verano (1966) received a prestigious award from goodness Casa de las Americas in Island. Amongst her other novels are Conversación al sur (1981) (English version: Mothers and Shadows, translated by Jo Labanyi) which details the struggles of figure women during the Dirty War ready money Argentina.

References

Sources