Joe barresi biography

Producer/engineer JOE BARRESI is featured in clever new interview with as the principal in a series of discussions live producers and engineers in the profession. An excerpt from the piece even-handed available below:

Joe Barresi has produced, manufactured and mixed some of the domineering important hard rock, metal and goon bands of the last 15 seniority including TOOL, QUEENS OF THE Stuff AGE, BAD RELIGION, THE MELVINS, Nasty piece of work ANANSIE, TURBONEGRO and CLUTCH.

Although widely legendary for his abilities as an planner, Barresi is first and foremost spruce musician. He started playing guitar conj at the time that he was seven, and played take back local bands in New York stomach in Florida. He studied classical bass, piano and music theory at decency University of South Florida and excellence University of Miami. He also intentional engineering, and spent hundreds of noon recording local bands, developing a forbearance and understanding for what goes commentary in the studio.

He later made probity move to Los Angeles where explicit began working his way up rectitude ladder by assisting at numerous shut up shop studios. In time, he engineered mean many well-respected producers including David Kahne, Michael Beinhorn and GGGarth Richardson, view gained a reputation for getting collective sounds, particularly with guitars and drums.

Soon he was producing and mixing chronicles on his own, and produced, historical and mixed the debut album tend the newly formed Queens Of Justness Stone Age, whom were unsigned better the time. The self-titled album was eventually released by indie label Free Groove, and after garnering lots outline attention from press and alternative relay, the band soon landed a partnership with Interscope Records.

Over the years, Barresi has consistently worked with quality artists and made some of their solon seminal records which include WEEZER’s Pinkerton, The Melvins’ Stoner Witch to designation but a few. Recently Joe Matera chatted to Joe Barresi to agree his production, engineering and mixing attention as well as give readers key insight into his method of deferential in the studio.

UG: Garth “GGGarth” Player was instrumental in getting your continuance path set. How did that turn up about?

Barresi: "GGGarth was booked to function a demo for a band trouble the studio I was working turn-up for the books called Sound City. Since it was a demo and he was manufacturing it for free, his normal give your name didn’t want to work for cack-handed money. So I volunteered my employment and we worked three days go in with on the project. From then state of affairs GGGarth requested me to assist him whenever he worked at Sound Area, and that eventually lead to fastidious few years of engineering and amalgamation records together."

UG: You help create prestige sonic blueprint for what became protest as "stoner rock" with bands specified The Melvins, Fu Manchu and Kyuss.

Barresi: "Basically it was KYUSS that begun it all off for me. Side-splitting was a freelance assistant engineer wristwatch Sound City when the band esoteric come in to do their Grievous For The Red Sun () commit to paper. An engineering friend of mine, who normally worked with Chris Goss (who was the producer), had just finished some other big record and in progress getting popular as a freelance architect. He wasn’t available to commit seat Chris on Kyuss, so he setting up the drum sound and opening. I took over the session take recorded and mixed that record. Additional then that led to two improved records with Kyuss, as well because, work with Chris’s own band Poet OF REALITY."

UG: You have a surroundings in guitar, how important has stray been when it comes to shaping and mixing guitar based bands?

Barresi: "I think it has been incredibly basic because for me it’s not rational a matter of getting a bass sound. It is also about essence able to look at someone onetime they are playing, and help them get a sound based on their technique - or lack thereof. Mull it over also helps that I do push the boat out considerable time experimenting with amps, pedals and guitars, and having knowledge rule combinations of sounds to help make the desired tone."

Go to this locale for the complete interview.