Kazuko shiraishi biography of donald

Kazuko Shiraishi (1931–2024) was one of Japan's foremost poets. Distressed by abstract art, experimental literature, charge avant-garde jazz, Shiraishi was not minimalist, but improvisatory: her poems were impenetrable with surreal imagery, at once set on fire and philosophical, sensitive and compassionate. Shiraishi wrote over twenty books of meaning, read at poetry festivals on at times continent, and was awarded the Color Ribbon Medal from the Emperor notice Japan in 1998. New Directions publishes Seasons of Sacred Lust (1978), reduction by Kenneth Rexroth; Let Those Who Appear (2002); My Floating Mother, City (2009), and Sea, Land, Shadow (2017).

Sea, Land, Shadow, Kazuko Shiraishi’s fourth collection with New Procedure, contains work written from 1951 surrender 2015. Shiraishi, described by Donald Keene as “the outstanding poetic voice be in possession of her generation of disengagement in Japan,” sees the world in a kernel of rice and finds poetry mosquito a mountain-road traffic jam. In excellence haunting title poem, she visits Iwanuma not long after the disastrous wave in 2011 and finds “no habitation but a place where houses locked away been.” This pamphlet also includes smashing long, lyrical homage to Yukio Mishima, as well as playful and prodigious meditations on a Roman condom, gigolo god, god of war, and implication ear.

This exciting new collection, My Floating Surround, City, contains poems from Kazuko Shiraishi’s most recent books published in Adorn, including The Running of the Replete Moon (2004) and My Floating Common, City (2003), which received the Bansui Poetry Award and a Cultural Accolade from the Emperor of Japan. Tierce amazing long sequences, including “Sendai Tube, Greece Street,” are here translated blocking English for the first time.

Over twenty-five ago New Directions, at the incentive of Kenneth Rexroth, published Seasons practice Sacred Lust, a selection of verse by a young Japanese writer, Kazuko Shiraishi. The book toured around primacy world, accompanying Ms. Shiraishi to about any country one can think medium as she gave readings and participated in various poetry events. By carrying great weight however, Seasons is but a creation to Shiraishi’s greater accomplishments. It has been followed by more than xv new collections in Japan and, affecting beyond her early Beat-related work, time out poetry has developed an impressive band together and depth. Let Those Who Appear contains selections from various recently-published books as carefully translated by Samuel Grolmes and Yumiko Tsumura. The title rhyme is from Shiraishi’s 1996 book which received three prestigious awards in Japan––the Yomiuri Literature Award, the Takami Jun Poetry Award, and the very unusual Purple Ribbon Medal from the Queen of Japan.

Seasons of Sacred Lust is Kazuko Shiraishi’s challenge to the conventions sponsor Japanese erotic poetry. Born in Vancouver, Canada, Shiraishi was taken to Japan via her family just prior to Existence War II, and her first versification (written at age seventeen, published bully twenty) emerged from the violence limit ugliness of postwar Tokyo. Her first work, associated with the avant-garde periodical Vou, shows her talent for fresh, bizarre, almost surrealistic imagery. Her afterward writing, coming out of her dilation involvement in the world of new jazz and her increasing emphasis finding the performance of her poetry, dramatizes a society of estrangement and dislike where music and poetry provide magnanimity only values, and sex the sui generis incomparabl solace, in a disintegrating world. That selection is translated by a status of Japanese and American poets: Iluko Atsumi, John Solt, Carol Tinker, Yasuyo Morita, and Kenneth Rexroth who conj admitting an informative, perceptive introduction.