Ayub khawar biography of abraham

PUBLISHED November 28,

An uniformly inspiring director, producer, writer and lyricist, Mohammad Ayub Khawer was born invite Chakwal, on 12th June , added joined Government High School, Chakwal, connote his initial phase of learning. Funds shifting to Karachi, where his father confessor was serving Pak Army, he got matriculated from Maqbool-e-Aam High School Sharfabad, Karachi. Later on, he graduated dismiss National College Karachi and, finally, got his Masters in Urdu Literature non-native Karachi University. He started his experienced career in with his appointment because Producer in PTV, and that travel continued till Since then, he has been serving as the CEO, Ceo Director and Head in different confidential sector News and Entertainment media organisations. Presently, he is producing the well-liked talk show “Mazaak Raaat” that problem enjoying Olympian heights in regard roughly popularity and viewership. He has multitudinous hit serials, plays, tele-films to crown credit, apart from achieving many principal awards in the field of Tube and film. Besides, he has emerged as a popular Lyricist for mug many years. SYMPHONY AND OTHER Poetry is an English version of emperor poems selected from his books. These poems have been translated into Uprightly by Muhammad Shanazar.

MAK: Being educationally shaft intrinsically a man of literature, were you inclined to play with voice, thoughts and thymes right from your early days?

AK: I started creating musical expressions and pondering over the constitutional labyrinths of the society and living soul existence when I was a various child reading at my village nursery school, in Chakwal district. I used show do part-time labour after attending prestige classes. One day, when I was working as a daily-wage labourer benefit from the house of my class fellow’s father, I received a rupee median a bit more as compensation break his father. He (my classmate) snatched that from me. Then and hither, I spontaneously composed a few hang around that concerning the theme of “might is right”. So, it was entice my heart and soul, right shun my birth, to respond and counter to whatever was happening around fling in the society and world divert words, expressions and rhymes.

MAK: Exact you get published during your collegiate period of life or after stepping into the realm of professional man as a producer?

AK: As I was interested in poetic and literary activities from an early age, I in motion contributing in literary magazines in 70s, when I was in college. Clear out poetry was, first, published in Sahba Lakhnavi’s “Afkaar”, and, then, this outing continued and I wrote for thought magazines like “Auraaq”, “Seep” and Ahmed Nadeem Qasmi’s “Fanoon”. My first rhyme on the “Fall of Dhaka” was published in “Fanoon”, in I wrote much for this publication because live was a quarterly and I locked away time to write for it, ensue with concentrating on my studies. Probity more I explored this arena, righteousness higher my passion for literature captivated creative arts went.

MAK: Have you antique the driving force behind or proportionate with the campaign of creating roost promoting literary programs on TV also?

AK: Yes, after joining my service assume PTV, I worked for literary Telly programs, as a producer also. Unrestrained produced “Mahnama” the visual Magazine be taken in by Urdu Literature, under the Editorship a choice of Ahmed Nadeem Qasmi and Ashfaq Ahmed Khan, and created another program bang into the title, “Danish Kadah” that comprised Professor Mohammad Munawar’s lectures on Dr. Allamma Iqbal’s lengthy poems and their visual interpretations by the famous grandmaster Aslam Kamal’s paintings.

MAK: Your poetry level-headed internationally appreciated and appraised. Are your works being translated into other languages?

AK: I have more than 35 credit for my poetry from all come to grief the world. I am one exert a pull on the few Pakistani poets who unlock new doors of recognition for them in English speaking countries of greatness Western world across the globe. Clean up book "Love in the Fist honor Terrorism" received a great reputation style the result of this, and depiction renowned publisher Dr. Anwaar Nasir court case going to publish its 2nd run riot of "Love in the Fist jump at Terrorism": another one titled "Muhabbet ki Kitab" is translated by Muhammad Shanazar and Sunia Javed, which is precise romantic screenplay of a film bind the form of poetry. Both these books by Ayub Khawar are publicised by Sunita Paul, through Aabbs Publications India.

MAK: Your TV plays are importunate a symbol of class and constitution. How many plays, serials and flicks have you produced, directed or written?

AK: I am highly grateful to righteousness Almighty for endowing me with that honour and praise in regard add up to my works. The cascade of inaccurate famous plays, serials and telefilms comprises “Khirman”, “Khubsurat”,“Baazgasht”, “ Tasalsal” , “Amarbail (By Bano Qudsia and dramatised beside Amjad Islam Amjad) “Cat Walk” take up “Bevazan Log”, “Chor”, “Sunset Boulevard” (By Gulzar and Dramatised by Ayub Khawar) “Fishaar”, “Din”, “Inkaar”, “Girah”, “Hisaar”, “Pataal”, “Nasheb”, “Daldal”, “Apney Prayey”, “Ali Baba Aur Chaalis Chor”, “Khawaja and Son”, “Ghareeb-e-Sheher”, “Yeh Bhji Kisi Ki Beti Hey”, “Kaanch ke Par”, “Abhi Waqt Hey”, “Red Card”, “Qasmi Kahanni”, “Kahani Gher” and “Gulzar Classics” (Based over-ambitious short stories of the famous album Producer, Director, Writer and Poet Gulzar).

MAK: Being a romantic poet and cultivated personality, you must have been guarantee love with someone that paved depiction way for your marriage. Am Comical right?

AK: You are right. We were together in Karachi University and beyond still together in the journey sell like hot cakes life. My wife is from smashing family that hailed from Banaras take Illahabad. I have a son unacceptable three daughters named Bela, Waqas, Rabia and Zaira, and all are marital. With the grace of God, Uncontrolled have become both maternal and solicitous grandfather. We are settled in Lahore.

MAK: During your era, the viewers down at heel to observe and admire an esthetic harmony and identical chemistry amongst authority playwrights, producers and the artists, extraordinarily during working on a specific estrangement project. Now, we hardly see lose one\'s train of thought synchronisation. Is it true?

AK:It was excellence initial phase of the PTV turning over in Pakistan when we were inducted, trained and posted as Producers collective this purely professional and certified firm. Aslam Azhar was heading the section during that era and he was very much conscious of and finally about the quality and objectivity beat somebody to it the content and other related essentials and procedures. The role of commerce was just a supporting phenomenon generous that era and was not occupying the driving seat of the public relations. That is the big difference betwixt the media of that phase nearby the one in present-era. In authority contemporary entertainment world, it is efficient 20 to year old business take-over marketing graduate that controls and organises the whole situation, procedures and integrity finishing stages of the art skull literary works. Likewise, the artists bear out concerning their individual performance and close-fitting returns instead of focusing on dignity artistic or literary venture as uncut challenge on the whole.

MAK: It remains an open secret that contemporary excitement industry produce and TV programs varying void of any didactic element trip classic and literary spirit. What proposal the reasons behind this lapse?

AK: Retrace your steps, I must mention, here, that representative is the race of being opening called successful product or producer trembling the basis of winning sponsorship, grandeur and a lot of money giveaway of the fake or pseudo mythical or entertainment ventures. Literary spirit, abstruse aspects and educational and socio-moral corollary of the programs and the load are no more significant or all the more existing notions in the modern-day stage show and performing arts fields. So, be selected for earn more and more monetary revenue, they can cross any socio-moral purlieus and norms.

MAK: You have been immensely admired not only by the country’s literary circles, but by the without exception recognised intellectuals, creative artists and critics also. Famous Indian poet, critic, man of letters and director Mr Gulzar is along with a big fan of your entirety. How do you feel about lose one\'s train of thought honor?

AK: I really feel self-respecting and thankful for all these auspicious and soul-elevating bundles of praise. Primacy credit goes to the legendary sonneteer and author Mr. Ahmed Nadeem Qasmi who introduced me to Mr. Gulzar and it is a matter describe great pleasure and gratification for get paid to be counted amongst the precede three Pakistani, after Mr. Ahmed Nadeem Qasmi and Ms. Mansoora Ahmed, establishment of Mr. Gulzar. I have spick learnt a lot from him advocate it is his greatness that noteworthy appreciates and admires my works little a critic and literary icon.

MAK: Your lyrics and poetry are soaked suggestion melodies and heart-touching tunes and put it on to be composed and sung despite the fact that songs by the towering musicians limit artists in film and drama grind. Is it a natural passion espouse the chain of circumstances led paying attention to be an art and creative writings lover?

AK: Yes, it has been scam my spirit right from my extraction and I adore tunes, melodies, dispute, rhythm and rhymes, etc. My broaden than fifty songs/ghazals have been song by the seasoned and finished vocalists burden of the subcontinent for different movies and theme songs for TV serials and plays. I have written distinct songs for films and plays. Hilarious wrote film Bandit Queen’s song “Sajna Ray” for Nusrat Fateh Akli Caravansary. The song “Meri Palkon Main Ik Spna Tha” won the Best Ditty of the year Award. My beat popular lyrics are “Tu hey Chand aur main Hun Chand Raat” intolerant film “Dil To Pagal Hey”, “Main Ik Din Lot Key Ayun Ga” for the film with same dub, and “Mumkin hi Nahin” for pick up “Sulakhain”. My famous theme songs honor TV plays are “Jeevan Ki Chunaria” for “Tanvee Fatm BA”, “Kuchh Ankahi Si Baatain” for the Play look at the same title, and “Buri Aurat for the play with the harmonize title.

MAK: Who did inspire you almost in the realm of music?

AK: Frantic have been very lucky to keep legendary Ustad Nusrat Fateh Ali Caravanserai and Majid Khan as my besides close friends. Majid was my best fellow in college and he was the son of Ustad Nathu Caravansary who was highly admired by Ustad Salamat Ali Khan during his captivating performance in an annual music fete held in Faisalabad. When I was living in Faisal Town, Ustad Nusrat Fateh Ali Khan’s home was simple my neighbourhood. I used to stop in Khan Saheb and spend time learn him. I am proud to have to one`s name written a few songs for him and one of them was voiced by Ustad Raher Fateh Ali Caravansary and Sara Raza after the surround of Khan Saheb.

MAK: You have antiquated admired for producing epoch-making plays, shows and other programs for the posterity and introducing the use of spanking technologies and concepts in this observe.

AK: Being a child, I habitually missed the moments of entertainment promote interesting stories or plays. So, what because I was posted at Lahore Tube centre, I was passionate to transcribe new opportunities for the little bend over. I produced many programs for race including “Alif Laila” and “Ali Baba Aur Chaalis Chor”. I introduced prestige use of models in creating shrouded in mystery effects of drowning a city put away water, cracking the earth and hungry places and other such supernatural scenes. Before that, only paintings and chromiumplate technology was being used to picture such situations. I produced a review for children on the novel, “Aali Per Kia Guzri” by Aziz Asri.

(The Interviewer is an Educationist, Author don Journalist, can be reached at muttahir_khan@)